{"id":31027,"date":"2024-04-20T06:34:03","date_gmt":"2024-04-20T06:34:03","guid":{"rendered":"https:\/\/news.talkwithrattan.com\/index.php\/2024\/04\/20\/love-sex-aur-dhokha-2-box-office-collection-day-1-dibakar-banerjees-film-gets-a-slow-start\/"},"modified":"2024-04-20T06:34:03","modified_gmt":"2024-04-20T06:34:03","slug":"love-sex-aur-dhokha-2-box-office-collection-day-1-dibakar-banerjees-film-gets-a-slow-start","status":"publish","type":"post","link":"https:\/\/news.talkwithrattan.com\/index.php\/2024\/04\/20\/love-sex-aur-dhokha-2-box-office-collection-day-1-dibakar-banerjees-film-gets-a-slow-start\/","title":{"rendered":"Love Sex Aur Dhokha 2 Box Office Collection Day 1: Dibakar Banerjee’s Film Gets A Slow Start"},"content":{"rendered":"
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A still from the film. (courtesy: YouTube<\/a>)<\/p>\n<\/div>\n

New Delhi: <\/b><\/p>\n

Love Sex Aur Dhokha 2<\/em>\u00a0hit theatres across the country on April 19. On its opening day, the film, written and directed by\u00a0Dibakar Banerjee<\/a>, collected Rs 15 lakh at the domestic box office, as per a Sacnilk<\/a> report. Like its predecessor released 14 years ago,\u00a0Love Sex Aur Dhokha 2<\/em>\u00a0maintains a narrative structure comprising three interconnected segments. The first story revolves around Noor, a transwoman who wants to become a successful actress. The second part delves into the life of Kulu, a third-gender character who has been sexually assaulted. The final segment narrates the journey of Shubham Narang, an 18-year-old schoolboy seeking recognition in the digital realm.\u00a0Love Sex Aur Dhokha 2<\/em>\u00a0stars Swastika Mukherjee, Swaroopa Ghosh, Paritosh Tiwari, Bonita Rajpurohit, Anu Malik, and Mouni Roy in pivotal roles.<\/p>\n

Love Sex Aur Dhokha 2\u00a0<\/em>has been backed by\u00a0Ekta Kapoor<\/a>‘s Balaji Motion Pictures. Ahead of the film’s release, its producer talked about how she might have to hide once the movie hits theatres. In a conversation with\u00a0Variety<\/a>, Ekta said, “Thank You For Coming\u00a0<\/em>has left a very strange pain in my heart because the way that film was and the kind of reception it got in India, vis-a-vis the reception it got overseas, I don’t know what happened.”\u00a0\u00a0<\/p>\n

Ekta Kapoor continued, \u201cAnd the hate spamming we went through \u2013 our walls used to be spammed every day with\u00a0hatred\u00a0because we attempted to discover and make a movie on female sexuality. I can only imagine what’s gonna happen when\u00a0LSD 2<\/em>\u00a0comes. I think I’ll have to hide again.”\u00a0<\/p>\n

In an\u00a0NDTV review,<\/a>\u00a0Saibal Chatterjee gave\u00a0Love Sex Aur Dhokha 2<\/em>\u00a03 out of 5 stars and wrote, \u201cLSD 2<\/em>\u00a0reveals the many ways in which violence, physical and psychological, is perpetrated on those who exist within the heady bubble and also on those who live outside it. This outright stumper of a film embraces its campy, pulpy spirit with all its might as it satirizes society that is led by technology in directions that it cannot fully grasp, not as yet at\u00a0any rate. By the time\u00a0LSD 3<\/em>\u00a0happens, we will probably know better.\u201d<\/p>\n

\u201cFor the moment,\u00a0LSD 2<\/em>\u00a0raises questions, some playful, others pointed, even profound, about a world in which fake, nearly always, trumps fact. There is a heavy price to be paid for the surrender to the lure of constantly evolving technology, as the three principal characters in the film discover mostly at their own expense,\u201d Saibal Chatterjee added.<\/p>\n<\/div>\n


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Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

A still from the film. (courtesy: YouTube) New Delhi: Love Sex Aur Dhokha 2\u00a0hit theatres across the country on April 19. On its opening day, the film, written and directed by\u00a0Dibakar Banerjee, collected Rs 15 lakh at the domestic box office, as per a Sacnilk report. Like its predecessor released 14 years ago,\u00a0Love Sex Aur […]<\/p>\n","protected":false},"author":2,"featured_media":31028,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tdm_status":"","tdm_grid_status":"","fifu_image_url":"https:\/\/c.ndtvimg.com\/2024-04\/bsna5538_lsd_625x300_20_April_24.jpeg","fifu_image_alt":"","footnotes":""},"categories":[619],"tags":[9340,34985,1950,1952,758,27634,34984,33207,20923,616,409,26252,1951,5150,1909,2885],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/news.talkwithrattan.com\/index.php\/wp-json\/wp\/v2\/posts\/31027"}],"collection":[{"href":"https:\/\/news.talkwithrattan.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/news.talkwithrattan.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/news.talkwithrattan.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/news.talkwithrattan.com\/index.php\/wp-json\/wp\/v2\/comments?post=31027"}],"version-history":[{"count":1,"href":"https:\/\/news.talkwithrattan.com\/index.php\/wp-json\/wp\/v2\/posts\/31027\/revisions"}],"predecessor-version":[{"id":31029,"href":"https:\/\/news.talkwithrattan.com\/index.php\/wp-json\/wp\/v2\/posts\/31027\/revisions\/31029"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/news.talkwithrattan.com\/index.php\/wp-json\/wp\/v2\/media\/31028"}],"wp:attachment":[{"href":"https:\/\/news.talkwithrattan.com\/index.php\/wp-json\/wp\/v2\/media?parent=31027"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/news.talkwithrattan.com\/index.php\/wp-json\/wp\/v2\/categories?post=31027"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/news.talkwithrattan.com\/index.php\/wp-json\/wp\/v2\/tags?post=31027"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}