{"id":85038,"date":"2024-07-01T10:22:18","date_gmt":"2024-07-01T10:22:18","guid":{"rendered":"https:\/\/news.talkwithrattan.com\/index.php\/2024\/07\/01\/the-rubiks-cube-turns-50\/"},"modified":"2024-07-01T10:22:18","modified_gmt":"2024-07-01T10:22:18","slug":"the-rubiks-cube-turns-50","status":"publish","type":"post","link":"https:\/\/news.talkwithrattan.com\/index.php\/2024\/07\/01\/the-rubiks-cube-turns-50\/","title":{"rendered":"The Rubik\u2019s Cube Turns 50"},"content":{"rendered":"
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The Cube is also a good challenge for machine learning systems<\/a> and robots<\/a>.<\/p>\n

And Maria Mannone, an Italian theoretical physicist and composer, invented the \u201cCubeHarmonic<\/a>,\u201d a musical instrument, developed with Japanese collaborators. \u201cIt is a Rubik\u2019s Cube where, on each face, there are musical chords, a note on each facet,\u201d she explained in an email. \u201cScrambling the cube, we scramble musical chords<\/a>.\u201d<\/p>\n

The Parisian street artist Invader creates \u201cRubikcubist<\/a>\u201d works, figurative canvases configured like a mosaic with hundreds of cubes. Invader\u2019s version of \u201cLes Demoiselles d\u2019Avignon,\u201d Picasso\u2019s first Cubist painting, used 1,848 cubes in order to make a reproduction the same size as the original.<\/p>\n

Lauren Rose<\/a>, a mathematician at Bard College in New York, uses the Cube as a teaching tool in courses for both math majors (who delve into the algebra) and non-STEM majors (they learn to solve the puzzle, explore patterns, count its configurations, and design and build mosaics). \u201cThere\u2019s so much depth to this puzzle,\u201d Dr. Rose said at the conference in San Francisco. She believes that part of the reason that the Cube has endured is that it is \u201cso accessible and fun.\u201d<\/p>\n

\u201cIt\u2019s a good way to get people to want to learn math,\u201d she added.<\/p>\n

By now, all the Platonic solids have been transformed into twisty puzzle variants. And riffing on the original, there\u2019s the 4-by-4-by-4 Rubik\u2019s Revenge, the 5-by-5-by-5 Professor\u2019s Cube and going on upward to the 7-by-7-by-7, the largest cube used in World Cube Association competitions. The 21-by-21-by-21 is the biggest cube generally available on the mass market ($1,499.99<\/a>). The 256-by-256-by-256 exists only in the virtual realm, where it was solved<\/a> by a team of six with 633,494 moves in a cumulative time of about 96 hours.<\/p>\n

During the Q. and A. session, Dr. Rokicki asked Mr. Rubik about the hollow Void Cube, by the Japanese inventor Katsuhiko Okamoto, who has created dozens of variants of the original. Somehow, the Void is missing the central cubies and the interior mechanics that hold Mr. Rubik\u2019s iconic invention together. On this subject, Mr. Rubik got philosophical again. \u201cPerfection is an idealistic encounter,\u201d he said. He understood the curiosity-driven explorations, adding something, taking something away. He preferred the classic combination of cubies and colors. \u201cI love the sound of the Cube as well, the movement,\u201d he said.<\/p>\n

Mr. Rubik added later that he wasn\u2019t so keen on puzzles that are designed merely to be puzzles. He said, \u201cI love the puzzling content of life and the universe as it is.\u201d<\/p>\n<\/div>\n


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The Cube is also a good challenge for machine learning systems and robots. And Maria Mannone, an Italian theoretical physicist and composer, invented the \u201cCubeHarmonic,\u201d a musical instrument, developed with Japanese collaborators. \u201cIt is a Rubik\u2019s Cube where, on each face, there are musical chords, a note on each facet,\u201d she explained in an email. […]<\/p>\n","protected":false},"author":2,"featured_media":85039,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tdm_status":"","tdm_grid_status":"","fifu_image_url":"https:\/\/static01.nyt.com\/images\/2024\/07\/02\/multimedia\/01SCI-RUBIKS-01-zpmq\/01SCI-RUBIKS-01-zpmq-facebookJumbo.jpg","fifu_image_alt":"","footnotes":""},"categories":[1],"tags":[74523,74522,5342],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/news.talkwithrattan.com\/index.php\/wp-json\/wp\/v2\/posts\/85038"}],"collection":[{"href":"https:\/\/news.talkwithrattan.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/news.talkwithrattan.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/news.talkwithrattan.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/news.talkwithrattan.com\/index.php\/wp-json\/wp\/v2\/comments?post=85038"}],"version-history":[{"count":1,"href":"https:\/\/news.talkwithrattan.com\/index.php\/wp-json\/wp\/v2\/posts\/85038\/revisions"}],"predecessor-version":[{"id":85040,"href":"https:\/\/news.talkwithrattan.com\/index.php\/wp-json\/wp\/v2\/posts\/85038\/revisions\/85040"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/news.talkwithrattan.com\/index.php\/wp-json\/wp\/v2\/media\/85039"}],"wp:attachment":[{"href":"https:\/\/news.talkwithrattan.com\/index.php\/wp-json\/wp\/v2\/media?parent=85038"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/news.talkwithrattan.com\/index.php\/wp-json\/wp\/v2\/categories?post=85038"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/news.talkwithrattan.com\/index.php\/wp-json\/wp\/v2\/tags?post=85038"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}