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Why ‘Boycott Netflix’ is trending alongside ‘Maharaj’ and Junaid Khan, son of Bollywood star Aamir Khan

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Why ‘Boycott Netflix’ is trending alongside ‘Maharaj’ and Junaid Khan, son of Bollywood star Aamir Khan
Hashtags like ‘Boycott Netflix‘ and ‘Ban Maharaj Film’ trended across social media platforms as a section of users voiced objections against the upcoming film “Maharaj”. Set to premiere on Netflix this Friday, the period drama marks the debut of Junaid Khan, son of Bollywood star Aamir Khan.

Directed by Siddharth P Malhotra and produced by Aditya Chopra under YRF Entertainment, “Maharaj” delves into pre-independent India, revolving around the Maharaj Libel Case of 1862. This historical backdrop has sparked controversy, with some alleging the film could potentially offend religious sentiments.

Despite its imminent release, “Maharaj” has taken an unconventional promotional route, opting not to release teasers or trailers, but only a poster featuring actors Jaideep Ahlawat and Junaid Khan.

Outcry on Social Media

The backlash on social media has been substantial. VHP leader Sadhvi Prachi expressed strong objections, stating, “Won’t tolerate the disrespect of Sanatan Dharma. Ban Maharaj Film. #BoycottNetflix.”

Critics argue that the portrayal of historical events and figures in “Maharaj” may misrepresent and offend Hindu sentiments. One user criticized the film as “Hindumisic,” accusing it of distorting the image of Sadhus and the Vallabh Sampradaya during British rule.

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Film Synopsis and Controversy

According to Netflix, “Maharaj” chronicles the life of Karsandas Mulji, a journalist and social reformer known for advocating women’s rights and social reform during a pivotal era in Indian history. The narrative culminates in the Maharaj Libel Case, a significant legal battle of the time.The controversy surrounding “Maharaj” echoes previous disputes over films like “Laal Singh Chaddha” and “Annapoorani”, where religious sentiments were allegedly disregarded, prompting calls for bans and boycotts.The Supreme Court recently intervened in similar controversies, staying the release of films like “Hamare Baarah” following allegations of derogatory content towards Islamic faith. These incidents underscore growing sensitivities regarding the portrayal of religious subjects in Indian cinema.

As debates intensify online, the fate of “Maharaj” hangs in the balance, amidst calls for censorship and heightened scrutiny from both public and legal quarters.

The intersection of artistic expression and religious sentiment remains a contentious issue in contemporary India, highlighting ongoing challenges faced by filmmakers and audiences alike.

In conclusion, while “Maharaj” aims to explore a significant historical narrative, its reception underscores the complexities of cultural representation and the enduring relevance of artistic freedom versus societal sensibilities.

(Inputs from PTI)





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